This collection of 10 paintings explores memory, tenderness, and the unfinished through personal “mementos”—objects and figures that act as quiet carriers of lived experience. Using provisional painting strategies such as visible raw canvas and open-ended compositions, the works resist traditional ideas of completion and mirror the fragmented way memories surface, clear in some moments and obscured in others. 

Conceptualized through the Korean phrase 이기뭐라꼬, the collection invites viewers to let go of overanalysis and encounter the paintings with curiosity, wonder, and reflection.